Publications

“Firebird, Mountain Forged” // The Rebis, Anthology II. December 2023. creative nonfiction

“Silkworm, Spider, Saint” + Postcard // wigleaf. March 2023. flash fiction

“The Unfortunate Murder of the Infante” // Storm Cellar Quarterly Vol. IX no. 2. August 2021. flash fiction

“Wolf Shepherd” // Okay Donkey Magazine. April 2021. short story

“Our Lady Enters The City [In Three Attempts]” // X-R-A-Y Literary Magazine. November 2019. flash fiction

“How Loudly We Dead Howl” + Author’s Note // CRAFT Literary. October 2019. flash fiction & micro craft essay

“For Federico García Lorca, On All Saints’ Eve” // Unbroken Journal, Issue 22. July 2019. prose poetry

“A Reckoning” // Ellipsis Zine (RIP). November 2018. creative nonfiction

“Sanctus Spiritus, 1512” // CHEAP POP. August 2018. flash fiction

“In Dead Waters” // FlashBack Fiction. August 2018. flash fiction

“Sunday’s Pets” // FIVE::2::ONE #thesideshow (RIP). August 2018. flash fiction

“Hey There Little Chestnut” // FIVE::2::ONE #thesideshow (RIP). June 2017. poetry

“And The Wind Blew In Laura” // sPARKLE & bLINK 85. May 2017. flash fiction

“A Photograph as a Photograph as is” // Vending Machine Press. April 2017. short story

“Sojourner, along the outer orbits of empire” // The Airgonaut. August 2016. flash fiction

“And The Wind Blew In Laura” // Word Riot (RIP). April 2016. flash fiction

  • "'Wolf Shepherd' feels exactly like a Sarah Arantza Amador story in the best way. I feel the animal inside of me respond to the experience, the fear and the vulnerability, all in this short piece."

    Minyoung Lee, Bending Genres

  • "'Sanctus Spiritus, 1512' by Sarah Arantza Amador. The editor clearly chose the best story to kick off the anthology. It contains a bit of mystery, a bit of fantasy, and a healthy dose of 'longing, ghost-making, the endearment of monsters' as the author mentions in her bio."

    Katherine Valdez, “BEST MICROFICTION 2019 Dazzles with Wide Array of Brilliant Stories”

  • "Holy hell, this is vivid. Read this paragraph out loud and tell me this doesn’t taste good on your tongue. The whole damn piece is this good. The momentum doesn’t stop. This whole story ["Our Lady Enters the City"] builds upon a single moment (i.e. the three attempts) and it grows and grows... It is hugely successful in playing with so many devices in a limited space."

    Lyndsie Manusos, Book Riot

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Curriculum Vitae